Monday, June 27, 2016

Progress report

I'm interrupting the usual focus of this blog for a progress report. Hook's Waltz is, after all, a blog in the service of a book, a book which has been long in its creation, and it seems appropriate to take note of its evolution as I move into (what I hope is) the final stretch.

It's an entire book now, albeit one which is not in its final form. I squeezed fifty-odd pages of notes into fifteen, at least of half of which I hope to find a place for in the final draft. (As bad as that sounds, the original "notes" document was a staggering 115 pages.) And there still a couple of spots with blue lettering--so I can't miss it--saying things like "Insert accurate nautical terminology here!" The historical aspects of The Stowaway mean that I can never learn too much.

I'm reading the manuscript out loud (to the delight or chagrin, I'm not sure which) of the feral foster cat who is my audience. I've read that writing fiction on a computer short-circuits some of the processes that handwriting facilitates. I don't know the truth of that, but I do know that repetitive stress injuries and bad handwriting (I blame grad school, because it was fine before that) mean that I will never write a book long-hand. But reading aloud seems like it may accomplish some of the same aims.

It's my preferred method of finding words I overuse (ahem), sentences that don't flow, bits that don't fit with other bits. This method is harder and creates more work than the other revisions I've done, and I can't say it's my favorite part of writing. I do, however, appreciate the results.

Before I can call The Stowaway a finished work, I want to make sure I have enough understanding celestial navigation to be able to write Vivian Drew's experience of learning it. Trigonometry was the only math class I ever enjoyed, but that was long enough ago that its tenets are no longer at my ready retrieval. I've learned how to read a sextant, but there's far more to the art and science of navigation than that.

I am also immersing myself in relevant works so that I'm living the narrative as much as I can while I complete the manuscript.

I will also make time for DVD watching, so images of faraway places are clear in my mind. (Maybe Robert Newton's Long John Silver isn't so good for research. But it was a lucky thrift-store find, and does fit with the general immersion theme.)

My beta readers are ready. I have a background in non-profit grant-writing that I plan to turn towards synopsis and query letters.

And then I run up the sail and strike out for distant shores.