Peter and the popular media

I don't remember a time when there weren't merchandise tie-ins--sometimes when I was growing up it seemed like every cartoon character appeared on a juice glass or in a Happy Meal--but I didn't realize how far back the practice went till I found this edition of Peter Pan released in conjunction with the 1924 silent film. It's printed with the 1911 copyright date of the original book, but as the movie was released in 1924, I suspect that may not be accurate. It does make it harder to track down a copy of the book, however.

Now with bonus Siamese! Owen says hi.

Let's try that again.

The book has eight illustrated plates from the film. Only one includes Captain Hook, though, you may as well know.

This Bonnie Television Book from 1953 isn't strictly a tie-in, although this line of books was no doubt printed to cash in on the new fad of television. The books originally came with a wheel mounted behind the cover that could be turned, in the manner of a pop-up book, to provide an illusion of a black and white TV show, as you can see below. Mine doesn't have the wheel, as I bought it for the art inside rather than spending three times as much for an intact copy.

In the middle of the book is a mystery:

This is Wendy, in the yellow nightgown she's wearing throughout the story. But there is not a cookie-baking scene in this book or any other interpretation I've found, or the play, or any of the movies that I can remember. Not in the beginning of the story, or in a game of imagination in Neverland. It seems like it must be an advertisement, but for what, I can't tell. Perhaps the secret lies in the missing cover feature, although given what I see of the "television" pictures in the image above, I am unconvinced. For now, I remain baffled.

On the trail of Tinker Bell

Tinker Bell's transformation from a spot of light dancing about a stage to the winged pin-up girl we see everywhere today is directly a result of the 1953 Disney animated film.

Tinker Bell had appeared on film before, in a 1924 version of Peter Pan.

However, when Disney artists began work on their own version, they had their own preferences for the character. Two of the principal animators at the studio wrote that story artist 'Joe Rinaldi wanted Tinker Bell to look more like the popular bathing beauties of the time," according to Murray Pomerance in Tinker Bell: The Fairy of Electricity" in Second Star to the Right: Peter Pan in the Popular Imagination. The human model for Tink was Margaret Kerry, an actress known as "The Best Legs in Hollywood" (not Marilyn Monroe, as has often been rumored). Kerry also provided the voice of the red-haired mermaid in the film. 

The pixie's fiery personality was also developed in animation--not so far from Barrie's original descriptions, in fact.

Roy Best, 1937. Tinker Bell as drawn by a pin-up artist is less of a pin-up girl than Disney's version.

As to why Barrie included a fairy in Peter Pan to begin with, reasons are numerous. Barrie's work was influenced by the folk tales of his native Scotland, and "Kensington Garden" by Thomas Tickell, written in 1722, is frequently cited as the inspiration for the setting of Barrie's entire fairy world of Kensington Park.

In 1901, Barrie and the Llewellyn David boys were enchanted by Seymour Hicks's theatrical hit Bluebell in Fairyland, which they went to see together during Christmas time.

And specifically, in Barrie's dedication "To the Five," he writes, "As our lanterns twinkled among the leaves [Michael] saw a twinkle stand still for a moment and he waved his foot gaily to it, thus creating Tink."

Special thanks to www.rarestkindofbest.com and the (sadly) largely inactive www.jmbarrie.co.uk for information used in this post.